31.7.08

Women Power

Research reveals women's spending clout

Hong Kong - New research shows the majority of Hong Kong women are financially independent and influence the purchasing decision of big-ticket items such as property and cars.

The study from Synovate, which surveyed more than 2,000 women in Hong Kong, China, Singapore and Malaysia across all income levels, shows 81% of Hong Kong women can afford to pay for what they want without asking for money from their partners. Some 87% have at least an equal say on major purchases.

The survey reveals that while Hong Kong and Chinese women are the most financially independent, 81% and 75% respectively, Malaysian women are the least independent with only 42% confirming that they can afford to pay for what they want without asking their partners or husbands for money.

"As women in Asia earn and invest more, other sources of wealth, such as marriage, divorce and inheritance become less important," Jill Telford, Synovate CEO for North Asia, said.

"And naturally, as women's financial independence increases, so do their role in the decision making process."

The survey showed Hong Kong women spend just 11% of their monthly personal income on shopping, preferring to allocate a bigger proportion to savings and investments. Mainland women in comparison spend more than half of their income on shopping.

Young women in Shanghai 15 to 24 years old are by far the most enthusiastic shoppers, with 88% of their salary spent on shopping, Telford said.

"Before marketers get too excited however, they should note that the average spend amongst these groups is still quite low at RMB$1,080 per month.

"This is less than the total amount Hong Kong women spend per month (HKD$1,280) which is only 11% of their salary."


- from Marketing magazine

入型入格



入型入格

主唱:謝安琪
作曲:周博賢
填詞:周博賢
編曲:周博賢
監製:周博賢

十二金釵與貝多芬 魚翅和魚蛋粉
各有擁躉愛惡始終由人
哪個高級哪個草根 誰有權來區分
故意去作狀扮型太拘謹 只懂跟風不思索笨得很

喂 我想約你睇齣戲
套戲喺波蘭電影節攞咗個大獎返嚟
戲名叫做《De la Cafe》導演係Jean-Luc Gaultia
佢贏哂王家衛 馮小剛 同埋佐治古尼
聽啲影評話 故事發生喺十七世紀
講當時啲農民 點樣走去大城市開Cafe
充滿解構主義 同埋後現代嘅風味
咁有型嘅戲 唔睇真係嘥哂呀你

唔 我唔知喎 好似好悶咁囉
不過喂 阿Winnie借咗幾隻碟俾我喎
有《獨家試菜》《十蚊菜》同埋《我的鐵蓋》
我想今晚一口氣煲曬佢 唔瞓覺囉
聽緊呀個男主角真係好靚仔咖
仲有嗰啲歌
真係好好聽咖囉
不如唔好講咁多
你買啲外賣上嚟
我哋今晚一路食一路睇
真係好Romantic囉

十二金釵與貝多芬 魚翅和魚蛋粉
各有擁躉愛惡始終由人
哪個高級哪個草根 誰有權來區分
故意去作狀扮型太拘謹 只懂跟風不思索笨得很

你想食咩呀
我諗住買燒味
呢間鋪最出名嘅
就係叉雞油肶
佢嘅叉燒用炭爐燒
瘦中又帶啲肥
油雞肶浸皮 脂肪少夠哂低卡路里

Yeh人哋話Four Seasons好好食咖囉
嗰度啲Caesar Salad食得人哋好鬼瘦咖
仲有啲Tiramisu甜得嚟又唔會太甜
咖啡得嚟又唔會太咖啡 唔 總之好食啦
你快啲買上嚟俾我啊

十二金釵與貝多芬 魚翅和魚蛋粉
各有擁躉愛惡始終由人
哪個高級哪個草根 誰有權來區分
故意去作狀扮型太拘謹 只懂跟風不思索笨得很

點解個男主角 硬係死唔斷氣
由頭到尾 講嚟講去都係嗰三幅被
究竟佢知唔知道 咩叫做「方法演技」
淨係識得行行企企 完全都交唔到戲

哎呀 你咪咁煩啦 佢夠靚仔咪得囉
佢瞇埋雙眼嗰陣 真係好殺死人咖
佢好紅嫁 有好大班FAN屎咖
呢期佢人氣咁勁 我就話佢喪好睇囉

十二金釵與貝多芬 魚翅和魚蛋粉
各有擁蠆愛惡始終由人
哪個高級哪個草根 誰有權來區分
各有各價值不會太統一

大力水手百變星君 瑤柱和銀針粉
各有擁躉愛惡始終由人
哪個高級哪個草根 誰有權來區分
故意去作狀扮型太拘謹 只懂跟風不思索笨得很
有性格忠於己見最打緊


Be true to yourself.

29.7.08

Fashion & Women

女人五宗罪

每個人着衫有她的個人喜好,除非你全裸出街,否則你穿甚麼都沒有人可干預。自由反而製造了污染,不論你喜歡與否,都總會在街上見到一些令你汗顏的情景。

我絕對相信普遍女人的自我審閱能力偏低,尤其在時裝範疇方面,情況更不堪入目。

我承認這個世界有Britney Spears或Paris Hilton的存在同時,另一邊世界會有Tilda Swinton或Cate Blanchett在平衡,其實就是因為有前者的出現,我們才更覺後者的美。雖然人對美感或漂亮的東西各有標準定義,不過正因為人的慧根有等差之分,某些人的所謂標準往往出了意外。曾經在雜誌看到Paris Hilton穿了一身粉紅色珠片外套加運動褲,襯一個粉紅色漆皮袋很漂亮再一副粉紅色框太陽鏡,她自己當時覺得漂亮才出街,但如果給Ann Demeulemeester看到的話相信她這一生都不會做粉紅色設計。粉紅色本身是無辜,當然沒有罪,「罪」在於tone on tone地full gear出陣,腦筋不太靈活的人只會想到粉紅色最襯粉紅色,此為第一宗罪。


記得年初某減價期間,陪伴女性友人在連卡佛女裝鞋部試鞋,梳化隔鄰的一位身型超肥胖女士正在試鞋,但她試的不是甚麼平底ballerina,竟然是一對Christian Louboutin高跟鞋。看著她穿好企起身已經夠膽戰心驚,萬一她乘地鐵時失重心,在她身邊的路人甲乙丙就凶多吉少,不過最可憐都莫過於她那雙肥美腳掌擠在狹窄的鞋身,加上受壓,就算Louboutin的造工怎樣實淨也難逃變形一劫。最後那位女士都是買了下來,Louboutin本人看見一定心痛死,此為第二宗罪。

第三宗罪,發覺近年街頭巷尾都是拿Chanel手袋的女性,由剛成年的懷春少女到上年紀也有。Chanel手袋本身沒有罪,錯在這些少女拿的是AA貨,只看那條銅鏈已經不對路,再看她的衣著就是一個穿蛋糕短裙的Janice Man,簡直是罪大惡極。就算是拿著真貨Chanel手袋的女人,她們的衣著亦不見得與Chanel匹配,Chanel手袋雖然已經不算是甚麼稀有珍品,但這班女人依然領略不到CoCo Chanel與Karl Lagerfeld所經營的氣派。

第四宗罪,是女人的嗅覺,尤其是大年紀的女人,不知道何解總會塗上味道有如殺蟲劑的香水,在對面街也嗅到那陣刺鼻氣味,驚死街上男人嗅不到。其實今時今日可以製造出臭味的香水品牌不同,不一定要你買Frederic Malle,其實一支Tommy Hilfiger或Gap的香水都不會死錯人,不過這些女人卻偏要向嗅覺挑戰,最可憐就是路人甲乙丙無辜枉死。

第五宗罪,是女人手腕上的水晶鏈,這些被視為可增進健康,財運或愛情運的甚麼紫黃晶與綠幽靈等等,基本上外貌並不醜惡,不過有些女人總覺得愈多顏色就愈暢旺自己,左手五條右手又五條,比非洲部落女人穿戴的飾物還要多,一條當然並無問題,數條加起上來就不得了。若然意外碰到,她更想煎你皮、拆你骨。這些「婆仔」水晶鏈加上女人的超迷信行為表現,就算她一身Chanel我也會倒扣她一百分。今次撰寫這篇文章亦甘願冒著被女性投訴我性別歧視與毀謗,風險其實頗高。

Anyway,我只可以講以上觀點純屬本人立場,與本網站立場無關,妳要找人晦氣,找我吧!

撰文: Ivan
(from hk.yahoo.com)

28.7.08

Ferguson

夜上海,除了瘋狂派對外,也有安寧優雅的一面,武康路376號Ferguson Lane,應是集高檔的優雅和低調的浪漫於一身。

武康路就是小說和電影中出現率極高的福開森路,在法租界最繁華的准海路和華山路之間。這裡是舊上海的高級住宅區,住的多是軍政要人,社會名流,《色戒》中,易先生給王佳芝的公寓就在武康路99號。夏天的晚上,路上黑黑的,微弱街燈倒照著婆娑的樹影,略帶暑氣的空氣中有一種神秘的幽靜,李安還真會選,這個地方有一種神秘的貴氣。


Ferguson Lane在滿是花園別墅的路上,見米白的牆上一組現代感的數字就是,轉進黑色的大閘,是一排五層高的白色樓房,庭園中有戶外座和藝術風的擺設。原來全是店舖,法式fine dining的Franck餐廳,咖啡店coffee tree, SPA, lifestyle用品店,護膚品店Ba Yan Ka La,時裝店D.I.S.,還有一些新潮的老外辦公室,有一種“小資”的格調和品位(上海話會說這裡「挺有腔調」的)。



黑色和暗紅的裝修為主的Franck,是區內最有名的法國餐廳,牆上掛滿跟法國有關的地圖和畫,天花上掛著一組黑色的舊式三葉風扇,店前有一個櫃枱,賣一些地道法國雜貨食材,餐廳的設計簡潔摩登,燈光不太亮也不會太暗,有一種傳統街頭小酒館的溫暖感。


店員先遞上wine list,天呀,全是法文,我看得一頭霧水。這時一個胖胖的光頭男士過來打招呼,是店主Mr. Franck,原來他是個法國人,唔,我對今天的菜突然非常期待了。這裡的菜式天天不同,按當日買入的食材而定,而且選擇有限,都寫在幾塊黑板上,客人要點菜,操流利英語的侍應就把幾塊黑板放在你跟前,當然也全是法文的,可以要求店主逐項說明,他會報以非常詳細的解釋。

上菜前有一碟橄欖,朋友似乎非常喜歡,幾次菲籍女侍應想收走都沒成功,我卻吃不慣。麵包是熱的,新鮮美味,但牛油又冷又硬,敗筆。頭盤是asparagus和生蠔,非常新鮮,asparagus伴有有蛋白醬,還是第一次。主菜是煎魚和大蝦飯,分量特大,水準中上。Wine的選擇很多,幾乎寫滿三張A4紙,點了white wine,非常好喝,就因為喝了太多wine,反而沒有試甜品。

這裡叫我印象深刻的,不是食物或裝修,而是在於氣氛。如果跑馬地的Amigo是浮華和高貴(注意:其實我未食過Amigo),這兒應該是一種低調的浪漫和溫暖。鄰座多是法國人,有family dinner的,有男女的撐枱腳的,都很有manner,原來食客對一家餐廳影響這麼大。這裡令我覺得自己不是身在中國,但也不像是香港,甚至不像在巴黎,可能是在Dijon或Leon的suburban area的路邊一家小店裡。


小插曲:

食至中途,進來了兩對男女,打扮很decent,一望而知是有地位人士,其中三個均是上年紀的法國人,另一個是看上去比我更年青的中國女孩,吸引我的是她的臉:細細的鳳眼,極高的腮骨,大嘴在大大的方型臉上更顯得無與倫比,Gosh,她的臉與名模呂燕幾乎是一模一樣的!

「呂燕」伴著最老的男人入座,男人滿頭白髮,也應該有六十歲以上的年紀了。朋友告訴我,他是個有名的法籍interior designer,而那個中國女孩,那個應該20歲未到,身上還有baby fat的女孩,是他中國籍的妻子。

“Oh my god! Are you serious?! How can it be? He's old enough to be her grandfather!”

我當時的眼睛一定睜得非常大!雖非第一次聽說old husband young wife,我還是第一次目賭一個如此extreme的例子,實在不能自制地暗中打量他們了二十分鐘以上,還是屈服了。

“Well okay, I  agree they're husband and wife. The other pair is a couple. She can't be anything else than a wife. He won't bring her out if she's not.”

最後加上一句:“But this is REALLY sick!”


呂燕,國際知名的模特兒,少數能曾登世界級品牌時裝show的中國女模。她先在法國走紅,據說是在法國街頭被驚為天人的經理人發掘的,老法就愛這種臉,難怪。

27.7.08

Stay Hungry. Stay Foolish

This is really inspiring! A speech by Steve Jobs. Take a few minutes and read. You won't regret it.



This is the text of the Commencement address by Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios.


I am honored to be with you today at your commencement from one of the finest universities in the world. I never graduated from college. Truth be told, this is the closest I've ever gotten to a college graduation. Today I want to tell you three stories from my life. That's it. No big deal. Just three stories.

The first story is about connecting the dots.


I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out?

It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: "We have an unexpected baby boy; do you want him?" They said: "Of course." My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would someday go to college.

And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting.

It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:

Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.

None of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.

Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something — your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.

My second story is about love and loss.


I was lucky — I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation — the Macintosh — a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started? Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. So at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating.

I really didn't know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down - that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me — I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over.

I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.

During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, Toy Story, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, I returned to Apple, and the technology we developed at NeXT is at the heart of Apple's current renaissance. And Laurene and I have a wonderful family together.

I'm pretty sure none of this would have happened if I hadn't been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life hits you in the head with a brick. Don't lose faith. I'm convinced that the only thing that kept me going was that I loved what I did. You've got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don't settle.

My third story is about death.


When I was 17, I read a quote that went something like: "If you live each day as if it was your last, someday you'll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today?" And whenever the answer has been "No" for too many days in a row, I know I need to change something.

Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.

About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn't even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor's code for prepare to die. It means to try to tell your kids everything you thought you'd have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes.

I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and I'm fine now.

This was the closest I've been to facing death, and I hope its the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept:

No one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.

Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma — which is living with the results of other people's thinking. Don't let the noise of others' opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.

When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions.

Stewart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: "Stay Hungry. Stay Foolish." It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you.

Stay Hungry. Stay Foolish.

Thank you all very much.

Death vs Hope

Watched 2 movies this weekend, both top tier, with completely different theme.


Totally visionary and imaginative! Creative, out of box! God knows how did the Pixar guys come up with such brilliant idea. The theme is carried out so well even without much dialogues. Characters are so great that you will understand them even they dun talk. And love how they use some really classic music in the movie.  


This is completely opposite. Dark, heavy, literally a sad movie because the best one in this movie, is no longer with us. The Joker, Heath Ledger is definitely a legend. Great to see how it takes superhero movie to another level. Not just about production excellency but some deeper meaning of "justice" and "being hero".  It's almost philosophical, and that's why it feels really long with much "words".

Must see: 

Wall-E official website - the videos are SO CUTE that you wouldn't wish to miss

24.7.08

French Concession

上海也真有點像法國,說的,自然是美麗的法租界。

沒有愛上摩天大樓林立的浦東,沒有愛上遊客必到的南京路,也沒愛上光芒璀燦的外灘;但我愛上了法租界。

當然,對於熟識我的人,這是可預見的,我是個不折不扣的法國迷,任何法國有關的東西都會愛上,甚至是被法國佔有過的地方。對法國,我一等一的痴迷,甚至盲目,但愛情不應該就是這樣子嗎?

上海法租界包括盧灣和徐匯區,在上海後期的兩天都在這邊,因為太愛這裡的梧桐樹和老房子了。真不明白,其他地方也有種梧桐樹,也有大量的老房子,怎麼法租界的就是這麼美?

第一次踏足法租界是在新樂路,商業中心准海路(就是以前霞飛路)附近,是煩囂中一條寧靜而有個性的小街。一下的士,迎面而來的就是「首席公館酒店(Maison Hotel)」,有沒有看LV Soundwalk? 陳沖的上海段就是在這裡開始的,“This is the heart of French Concession.” 陳沖說。



沿著新樂路走下去,這裡很有巴黎小街的風情,咖啡店、餐廳、美容院,但為數最多的一定是時裝店,不是名店那種,而是像利時那種型格潮舖。






這裡的店多是賣本地設計師的Ready-to-wear,要不就是在香港入貨,難怪風格都像以前的利時一類。這一家尤其像香港的initial,以白色為主,不過別小看這些店,都貴得很,這家“initial”比initial更貴,應該不是target本地人。


來到街尾一家小店Dragonfly做按摩和修甲,房間非常精緻可愛,音樂柔和,種滿盆栽,技師手勢雖非高班,伹這種環境可真值回票價。



新樂路和東湖路交界的One Cafe,非常有意思的裝璜,那天沒有開門,進去喝杯咖啡應該是賞心樂事。



又一家建在老洋房中的西餐廳,我甚至不知道它的名字,但那些飄陽的彩布令我聯想到鬥牛,直覺上它是一家西班牙餐廳吧。



東湖路有另一座公館叫「東湖賓館」,公館以前就是達官貴人的住宅或辦公室,法租界是以前的有錢人大家族住的地區,因而有很多漂亮的古老公館,非常有氣派,而「首席公館」是其中之一,曾經是私人別墅和公家機構,現在是以城市遺產為賣點的精品酒店。而東湖賓館更是上海大亨杜月笙的大宅,又稱“大公館”,曾作銀行和美國領事館,現在已對外開放為酒店。

法租界的美,當然不只新樂路和東湖路,還有復興西路、陜西南路、紹興路、思南路、香山路、武康路。要是有時間,我會在晚上騎自行車夜遊法租界,上海太大,走路太累了,夜晚路上少車,比較安全,這樣,就可以靜靜地看上海最美的一面。

延伸閱讀:法租界on wikipedia

23.7.08

Tin Zi Fang


去田子坊那天,熱得要命,聽說有42度,我覺得自己快昏倒了。

田子坊在盧灣區泰康路210弄,還好是個非常可愛的地方,我在高溫下也逛個不易樂乎。


近年中國興起很多極有特色的藝術區,很多本地和外國文化團體和藝術家進駐開店,如北京798。田子坊是上海一個特色小區,位於弄堂住宅內,有的房子以前更是工廠,外表不甚起眼。十數年前始,為數不少的藝術家開始進駐泰康路及開設工作室,始令小區成為藝術文化人匯集之地。




近年,越來越多人在弄內開設小店,小小的弄堂內聚集了幾十家店舖,有藝廊、工作坊、設計師服裝店、特色cafe、陶藝坊、賣酒的、賣飾物的、造旗袍的等等。而政府也有意把這區打造成藝術潮流熱點,田子坊發展得很快,區內極多裝修工程進行中。

遊田子坊的最大樂趣,是幾乎每轉一個彎都有一個新的驚喜,有一種“柳暗花明”之感。而且,田子坊保留了原汁原味的上海石庫門老房子,店舖就開在住宅房子裡,巷頭巷尾還停了自行車,晾著衣服,造就一種“闖入平民百姓家”的感覺。




參觀當天是星期一,暑氣沖天,沒甚麼遊客,而且因電力問題,幾乎半數的店舖都關著大門。在其中數家店子留連了一會,就發現這裡的東西絕對是“遊客價”,完全買不落手,唯一想做件合身的旗袍,也因等不及而作罷。最後,拍了大量非常漂亮的照片(是上海旅最好的一批吧),卻是兩手空空地回酒店,沒做得成羊牯。也有說田子坊已不如以前的文藝氣質,變商業化了,我也相信,但這兒起碼比新天地“真實”一點,是值得一逛的地方。



22.7.08

Crazy Shanghai

上海應該是不夜天,夜夜笙歌的城市。

來上海前做research,朋友己經有一大堆所謂城中最hip的clubbing地點提供,不過上海不同香港,酒吧不全在同一條街,怎可能一次過去晒,Friday night率先去的,是外灘18號


夜色下的外灘18號 (photo courtesy from wikipedia.org)。把我帶來這裡的,應該是巧合,和我愛冒險的天性吧。

上四樓Lounge 18,身邊人幾乎清一色是老外,和打扮入時又性感的上海女孩,幾乎沒有中國籍男子。找到意大利友人的桌子,同桌的就有加拿大,墨西哥,瑞士和日本人,好鬼“cosmopolitan”。


舞池內的性感上海女郎,朋友都禁不住問「What are they doing?」


大陸的club會有駐場dancers跳舞,香港除了很久以前在dragon-i見過外,都沒有這個practice。




這幾名熱力十足的女模是朋友的朋友的朋友,非常高瘦非常美麗,我看得啞掉了。幾位美女均是天橋上的時裝模特兒,和香港周街影snap shot的所謂“part-time model”不可同日而語,高我一個半頭呢!其中黑色連身裙小姐最平易近人,(sorry,雖然她們都是大美人,我實在聽不到也記不得名字)同去舞池跳舞之餘,她更讚我的裙子很美,詢問我在那兒買,樂得我上天,呵呵呵。事實上條裙是耀華街舖頭仔減價貨仔,只是$2xx,雖然的確很美。



樓上頂樓的是Bar Rouge,上海數一數二的火紅酒吧,當天碰巧是“So, Happy in Paris”世界巡迴派對,有法國DJ打碟,非常精采的音樂!Bar Rouge是典型的high-class clubbing格局,紅和白主題豪裝、私隱Private Room、牆上大型時尚照片,最amazing的是一個可以望出外灘的陽台,和玩到半夜的瘋癲的人。




上海的確是不夜天,四點,打道回酒店,現場還有很多很多人......

Shanghai Clubbing Guide: Cityweekend

21.7.08

Xin Tian Di


星期五晚上去了一趟新天地

新天地是以上海弄堂為藍本的發展項目,發展商是香港的瑞安地產,在舊社區中加入了大量時尚現代的建築,有商場、酒店、戲院、餐廳和各種特色小店。這裡的確很新潮很chic,但對我的吸引力較低,因為不論餐廳店舖,總好像是熟口熟面,Starbucks、Zen采蝶軒、Haggan Dazz,甚至I.T,怎麼全是香港的東西? 想找個「香港無」的地方坐下喝一杯都很難,人也很多,最後選了一家酒吧,裝修像燈籠街,酒卻不知所謂。


這區的「老外」特多,我懷疑比香港還多,可能是這裡的消費太高了,只有expats才會花這種錢。Friday night,這裡是老外的世界,中國人反倒像個遊客,有點像以前的中上環SOHO,有一種殖民地特有的新舊對比、東西交匯的特色,但新天地就是太新,不耐看,待得久看得多,就會就覺fake,感覺像看“黃金甲”,是用錢堆出來的China Chic,迎合喜歡這一套的老外。

新新上海的夜生活,不是爵士樂和歌女,是最hip的club和最瘋狂的party,看完新天地,應該“轉場”去外灘。

Let's get the party started!

20.7.08

Shanghai Art

去旅行有很多種,有的是去買,如去日本;有的是去吃,如去台灣,而我最喜歡的,是去看、感受和認識,如去歐洲。在香港,有的是各國品牌,有的是各國食店。我希望得到的,是發現一個城市的內在美,如人文、歷史、文化和藝術。因此,每次去一個地方,我一定會去美術館。上海不是一個藝術之都,但每一個歷史悠久的城市必有她的獨特氣質。多年前,上海已是東西文化交匯之地,這裡更孕育了中國當代最特別的一位女作家,因此一直都很期待看看上海的藝術文化底蘊,也是是之旅程的主要目的之一。

短短數天,共去了四個藝術文化地點:上海美術館,上海當代美術館“MOCA”,青年藝術家聚居的“田子坊”,和低調的文化出版區紹興路。不能說深入地看到上海的藝術一面,但畢竟也加深了對這個城市的了解。最遺憾的是沒去得成張愛玲故居,感受她筆下上海老城的愛和恨,也沒有來得及去莫康山路的M50,聽說是非常不錯的。


這座歐式的建築就是上海美術館,非常古老,外牆爬滿了Ivy葉子,非常優雅。當天的展覽主題是「古典與唯美」,展出了由文藝復興至印象派等不同學院派系以表現「美」為主題的作品。很多古典派的畫都以神話的女神表現女性美,那些豐滿的身形在現代人的標準下還是美嗎?我覺得比纖體廣告上的女模特兒好看也自然多了。題外話,發現上海確有很多化妝品及時裝的廣告,但卻沒有見過纖體廣告,上海女孩真該慶幸這種歪風尚未吹到,不過,或者是因為她們沒有這種需要吧,上海女孩多數皮膚白晢,也不胖。

看展覽時,發現很多參觀者是本地人和學生,而且他們很多都願意多花十數元使用美術館的soundwalk服務,就是用一個手提的walkie聆聽每幅畫的講解和資料,原來上海人比香港人重視藝術。


Art Lab at MOCA是上海當代藝術館,原身是一個溫室,座落市中心人民公園內。參觀MOCA必須經過公園的廣場,在此發現了一個很奇特的現象,公園內有很多上了年紀的老伯和大嬸,他們手持很多製作粗糙,甚至是手寫的個人廣告(Personal Ads),全是他們已達適婚年齡子女的details,如「女子,28歲,皮膚白,有XX文憑,現任XX公司」,而有些則在交頭接耳,可能是商討相親事而。我簡直看得傻了眼,後來和朋友說起,他說“Those are the games of the over-controlling parents.” 我真不能相信文明如今天的上海,也還會有在公園徵婚這碼子的事。

(沒有把上海人的徵婚的情況拍下來,不是我不想拍,而是一舉起相機就被一位老伯用上海話喝止,如果想一睹盛況,下次去上海時不妨到人民公園一遊,實在是蠻奇特的。)




MOCA原是溫室,光線是非常不錯的,主題是「他人的世界」。展品自然全是Modern Art,不過數量不多,只有上海美術館的三分之一吧,因而MOCA比較冷門,參觀人數少得多。展品有各種不同媒體,平面、立體、攝影、視聽、裝置都有,參觀的多是外國人和貌似美術學生的人,有些甚至手執相機拍照,工作人員也不會干涉,我也跟著就拍了數張。一直都知道中國的藝術發展得非常好,特別是和政治民生有關的,作品有價有市,有些著名藝術家的作品更被拍賣到數千萬,相信Modern Art在中國將來一定大有作為,而水準也會不斷提高。


MOCA頂樓是貴價的意大利餐廳,沒有幫襯的意慾卻發現有一個可愛的小型藝術班正在進行,年輕的老師在講解三元色,學生都是小朋友甚至BB仔,和帶他們的工人,雖然不知道他們聽懂了多少,但自小讓孩子接觸美術是好事,而且在這麼美的地方上課真是享受。